Shortlisted artworks on display until 29.07.2025. The works are threaded throughout a mental health research faculty and are available to tour by appointment.
Details in the link: https://fbz-bochum.de/fbz-art-award
Anatomy of a Fold 2023 installed at FBZ — Forschungs- und Behandlungszentrum für psychische Gesundheit.
Massenbergstraße 9–13, 44787 Bochum
An exhibition of 10 photographers and artists that use photography opens 25 Mai 2025 Um 11:00Uhr
Thiepvalplatz Tübingen, Germany
Thema/Theme SPUREN/PERCEPTION. 25.05.2025 — 25.07.2025
Einführung/ Opening speech/: Frau Dagmar Waizenegger, Leiterin des Fachbereichs Kunst und Kultur
Musik/Music: Sergio Pinto, Amparo Roda, David Torrejón
Organised by: Natalia Zumarán and Uli Waiblinger
Participating artists: Marc Célérier, FR; Olive Herrmann, DE; Traci Kelly, UK/DE; Jean-Louis Mercier, FR; Joachim Riederer, DE; Eva Schmekenbecher, DE; Bernd Haussmann & Werner Trotter, DE; Uli Waiblinger, DE; Julia Wenz-Delaminsky, DE; Natalia Zumarán, DE.
From the series Red Behind My Eyes/ Rot Hinter Meinen Augen, 2024
Reinsburgstraße 150, 70197 Stuttgart.
Ring the bell and come and have a chat, share ideas and view our current processes.
A warm welcome and infos in German and English below.
DE: Studio 3000 ist eine Initiative der Stuttgarter Ateliergemeinschaft von Christian Eickhoff, Dr. Traci Kelly und Julia Wenz-Delaminsky. Neben unseren eigenen künstlerischen Biografien initiieren wir gemeinsame multidisziplinäre Projekte. Unser Ziel ist es, (unter uns) einen produktiven künstlerischen Austausch zu schaffen und darüber hinaus auch mit Partner*innen von außerhalb. Das kann ein Künstlerhaus wie das ›Kunstkvarteret‹ auf den Lofoten sein oder eine Ausstellung in Kooperation mit anderen Partnern wie z. B. der GEDOK Stuttgart. Wir engagieren uns kulturpolitisch, arbeiten in Netzwerken und mit Einzelkünstler*innen zusammen. I
EN: Studio 3000 is an initiative of the Stuttgart studio community of Christian Eickhoff, Dr. Traci Kelly and Julia Wenz-Delaminsky. In addition to our own artistic biographies, we initiate joint multidisciplinary projects. Our goal is to create a productive artistic exchange within our group and also with various partners from outside. This could be an artist's house like the Kunstkvarteret, on the Lofoten Islands or an exhibition in cooperation with other partners such as GEDOK Stuttgart. We are involved in cultural politics, international networks and with individual artists.
www.tracikellyartist.com, www.christianeickhoff.de, www.julia-delaminsky.de.
I’ve enjoyed working with Tazkar Projects for over a year to bring this project together.
Exhibition launches on Friday 11th October. We’d love to see you there!
The 3rd Edition of the Invisible Exhibition curated by Dimae takes place in Venice responding to the Biennale’s theme “Foreigners Everywhere”
A group show of clandestine and thematic works in unlikely places.
In good company in ❤️Venice❤️ from here.
An undercover contingent of foreigners is on its way... Italian Cuisine, Stuttgart Vineyards, Like shipping coals to Newcastle, empty yet full homes.
Images below: 1) Information 2) Smudging & Nudging work in progress.
This book will be launching next month.
It holds very diverse contributions from artists that have worked from Stiwdio Maelor in Corris, Wales. Happily I was one of them and my short writing "The Death Drawings" is nestled in there amongst good company. It has been a huge undertaking for a private residency space. I'm posting up now because if you preorder the book before May 31st May you also receive a complimentary small woven basket from Veronica Calarco's 900 baskets project.
Cost is a modest £12 plus P+P
It can be ordered by email: stiwdiomaelor@gmail.com
Thank you to the following people for all your effort in realising this publication.
@stiwdiomaelor @veronica.calarco @pippabc70 @earl.livings @tentative_line
I’ll be spending some focussed time in the beautiful hills of Norway where I’ll be continuing some work on textile pieces. These pieces are building towards a summer performance and an autumn exhibition… more on those later. Most likely other works will emerge inspired by the location and a different type of studio space. The early summer light and the peaceful surrounds are calling.
Sorbet 2024: Muslin, glass, glow-in-the-dark thread
My writing about Xenograftie (Artificial Sorrow) 2013 contributes a chapter in this book.
The book is full of diverse and interesting contributions and the editors Gianna Bouchard and Alex Mermikides have done an amazing job bringing it all together.
The text centres upon a 45-minute site-specific performance ‘Xenograftie (Artificial Sorrow)’ which took place at the leprosy museum in Bergen, Norway in 2013. The performance creates a lens to view how bodies pressurised by sickness are further stripped of autonomy when medically claimed as automatic research donors. It explores central characters and subject positions in the 19th century that were pivotal in the understanding and treatment of leprosy. These subjectivities are creatively interwoven with my own experience at a young age of medical institutions. It brings into focus how medical procedures sometimes run ahead of ethics with both noble and base intentions to end suffering and win accolade. At the core of the text lies the potential for historical medical trauma to transition into a culturally significant event. In a knotty relationship with following beneficiaries of medical advancement, it raises to the surface the troubled experiences of usurped bodies and collateral damage that underpins their gain.
In additon, I’ve attempted to bring information about previously published texts into one place.
